Most days, I leave the house in search of history,
Trying to trace the blood of aeons.
On some days, I go to Greece.
But I do not go home.
I go to Greece's
marble pantheons and epics
But all I do is walk on cobblestones,
worn with absence and
heavied with the empty frames of chariots.
Greece is always melting,
and I watch as myths unravel.
As the minotaur flies from the labyrinth.
As Icarus sinks.
As Prometheus cools his tired eyes
and gorges himself on haggis.
As Hades spouts burning nonsense from whispery caves.[48]
Because the Empire always steals the stories,
forecloses the temples,
and brings the marble home with them.
All they leave behind are embered ruins.
But even as the fires lick the clouds and consume the bronze mythology,
like a tomb for unknown crimes,
it is not Hell.
Hell is Roman.
Hell is Roman like the rest of us.[49]
All us diverse and tan-faced Romans,
stringing up our history in museums.
The museums are carpeted with time and place,
because all of us Romans want to move.
We want to move in as few steps as possible.
I am a Roman like the rest of you.
I do not want to take small steps.
I want to move as the Romani.[50]
They dance across countries and cultures
under powerlines and suspension bridges.
They have never concerned themselves with the hurricanes whipped up
by the flapping of monarchs.
Brick for brick we all weigh the same.
We all bleed the same clay,
All us Romans.
The same clay we kick up as we pass over
Interstates
and
Autobahns.
All the same dust ends up
caked on to windows and mirrors.
Or stuck in between the cracks in our bootprints
as we bare ourselves upon our shoulders,
carry our crosses in backpacks,
and wear our history on our ring fingers.
We walk always with our flaws and our pasts,
and as children of the Empire we have many of both.
We have nearly as many futures as histories.
All of them, cobbled or layered in pavement,
winding out in a dusty cobweb from a central point.
And though all our roads may lead there,
I do not go to Rome.[51]
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